Stuck In My Skull 556 -- "Toothless Hawkins (And His Robot Jazz Band)"
Written By Christopher Audiophile on Friday, October 24, 2014 | 10/24/2014 09:34:00 AM
Stuck In My Skull 499 -- "Once Again"
Written By Christopher Audiophile on Friday, March 14, 2014 | 3/14/2014 09:34:00 AM
(Hey! Go check out today's entry on This Beat is Newtricious. Free song!)
Stuck In My Skull 498 -- "Transformations"
Written By Christopher Audiophile on Monday, March 10, 2014 | 3/10/2014 11:02:00 AM
Edit: I was adding tags when Blogger reminded me that this isn't the first time Stuck In My Skull has written about Laura Brehm -- Relinquish talked about her here.
Stuck In My Skull 496 -- "Rainbow Road"
Written By Christopher Audiophile on Monday, March 3, 2014 | 3/03/2014 09:11:00 AM
[Secret Sounds] Teqq ~ 3
Written By Relinquish on Monday, March 4, 2013 | 3/04/2013 07:52:00 PM
Artist: Teqq
Download: FREE
First, I must apologize for my absence last week. With upgrading my computer, it was a bit unstable for a while. But this week I bring you German progressive house week!
Teqq is a young producer who specializes in prog house but also dabbles in other genres. To me, prog house is a difficult genre to produce well because of its propensity for repetitiveness and chord stagnancy. However, Teqq's tracks (say that 3 times fast) are well structured and never even border on boring. He keeps interesting with piano solos and sometimes vocal lines, which are always well-written (musically and lyrically) in addition to well-performed. In fact, it was difficult for me to select a song of his to feature since they're all worthy.
I decided to go with 3, which doesn't feature vocals, as Teqq has got it covered all on his own. (He also has a great mashup of the track versus Swedish House Mafia's Don't You Worry Child.) A piano melody dances in from the distance, momentarily fades, and then becomes a lush piano solo, with some sustained strings entering later. The synth comes back and the melody builds up to the huge drop. The melody circles, staying interesting with some syncopation. The piano returns to mingle with the synth, and then the two alternate the iteration of the melody. In the final repeat, the hard bass drum kick brings it home. In the quiet coda, there's a bit of musical trickery, as the chord progression repeats there's almost a sort of pedal point, but not sustained. Despite the repetitive nature of house, this piece by Teqq remains interesting, full, and lush.
[Secret Sounds] ~ Rezonate - The Phoenix
Written By Relinquish on Wednesday, February 13, 2013 | 2/13/2013 08:10:00 PM
Artist: Rezonate
Download: iTunes, Beatport, Bandcamp Rezonate is a young Canadian musician on the Monstercat label. His style boasts great melodies with a big sound. He is quite dedicated to his fans and even has online gaming sessions with them. (Hit him up on steam for Minecraft, TF2, etc).
The Phoenix is the first part in a trilogy (the second being Ash, and the third still unreleased). Rez's girlfriend, Lauren, has a younger cousin who was diagnosed with cystic fibrosis at a young age. (He has a CF fundraiser campaign, which you can learn more about here.) The track begins with light sustained notes a strong bass, in both pitch and drum. The vocals enter with some ornamentation in the background. The buildup is not brazen but rather subtle, almost unnoticeable until suddenly--the huge drop. The distorted vocals and the melody--which sounds almost like a bird's voice--soar over the heavy bass. Later, when the bass and percussion drop out, the excellent reverb on the piano-like line gives the effect of pattering raindrops, leading into the second drop, and the melody here has a woodwind timbre in addition to the phoenix's calls. The song seems to fade, but then the third drop comes, like a much-desired encore without you even having to ask for it. This piece is superbly structured, like all of Rez's work, and definitely something to be proud of. I can't wait to hear the finale of this trilogy.
[Secret Sounds] ~ Mr FijiWiji - Farewell
Written By Relinquish on Monday, February 4, 2013 | 2/04/2013 08:16:00 PM
Artist: Mr FijiWiji
Download: iTunes Mr FijiWiji, called "The Fij" by his adoring fans, is another young artist on the Monstercat label. Not only is he an accomplished producer at such a young age, but he also volunteers and raises money for charity. He is known for making emotional music that is all his own style, without bending to what is popular. He also loves to title songs after his friends (see Gina and Jason the Breadman's Quest for Redemption) and to give away free music.
His first independent release, Farewell, is no exception. This piece has a beautifully executed ABA form. The first part begins with a great kick that gives way to a plaintive melody, which later stacks on top of a syncopated countermelody. When this fades, a solo piano part rises up from the silence. The Fij's gentle but compelling vocals enter, and though the lyrics may be simple, they capture the perfect sentiment for a departure. The reverb on the vocals (and throughout the piece) adds charge to the emotion. The countermelody from the first section returns, and later the melody comes back after the vocals fade. The two intertwine in a beautiful dance until the return of only the original kick. The outstanding composition of this piece and its emotionally resonant sounds make it a great first independent release for The Fij.
[Secret Sounds] ~ Day One - Lunar Orbit
Written By Relinquish on Wednesday, January 30, 2013 | 1/30/2013 08:22:00 PM
Artist: Day One
Download: FREE
Nowadays, many EDM producers like to say they "press buttons and make music." Some of them make music, while others make art. One of these artists is the underappreciated Day One, currently a student at Oxford University. His music reflects inspiration, careful thought, and a profound mastery of music theory.
The tune Lunar Orbit is a gentle giant, with its graceful melodies and big bass. The arpeggiation builds on harmony line, setting the stage for the piano melody. Day One works up to the drop with subtlely, like a swell, without any blaring chromatic rises or rapid percussion. After the drop, the tune glides seamlessly from section to section. The layers weave in and out over the wobbling bass--yet never in interference--creating a beautiful and hypnotizing ambiance. Slowly, the other layers drop out leaving only the piano, as the track ends on a non-I chord, giving the listener pause and striking the sense of longing that the piece gives. Hats off to Day One for a poignant and captivating song!
(The visualization in the video is pretty trippy too, also in a subtle way.)